Myra Hindley Ian Brady Court Transcripts (2024)

This is the Lesley Ann Downey transcript in its entiretytaken by Leonard Milner, a shorthand typist of the Supreme court in 1966. From'The trial of Myra Hindley and Ian Brady'byJonathan Goodman.

It's worth pointing out that they are urging her to put a scarf gag in her mouth, nothing sexual as many assume. The tape didn't indicate that they cut her fingers off either as is commonly said.

Two magnetic recording tapes were found in the brown suitcase. On one tape were two identical tracks of the voices of a man, a woman and a child. At the end of each of these tracks was a recording of two songs,'Jolly St Nicholas' and'The little Drummer Boy', which a witness recognised as being from a long-playing record byTheRay Conniff Singers, entitledWe Wish You A Merry Christmas, the other tape contained four tracks: (a) A recording of music, (b) aGoon Showrecording, (c) a recording of a commentary by Freddie Grisewood, (d) a recording of a man, a woman and a child which was identical to the two tracks on the other tape. The witness said that having spoken to Brady and Hindley on many occasions he was able to identify the voices of the man and woman on the tape as those of the accused.

Transcript;

Man - This is track four.

Man - Get out of the f*cking road.

Man - Get in the f*cking basket.

(sound of door banging)

(crackling noise)

(footsteps-heavy)

(steps across the room and then a recording noise followed by blowing sound into the microphone)

(Footsteps)

Woman - (Voice quiet, unreadable)

(footsteps, light, walking across room; whispered conversation at the same time)

(footsteps)

(speech, distant, containing word 'upstairs'; then two footsteps)

Child - (screaming)Don't. Mum--Ah.

Woman - (whispering)Come on.

(footsteps)

Woman -(whispering)Shut up.

Child - (pleading)Oh, please.

Child - Oh.(then faintly:)Help - oh.

Child - Help.(followed by gurgling noise)

Woman - Sh. Sh.

Woman - Shut up. Shut UP.

(Screams and gurgles)

Child - Oh. Oh. Oh.(child crying)

Woman -(whispering)Keep - and you'll be all right.

Woman -(whispering)Go on.

(Quick footsteps mounting stairs, then entering room)

(Child crying, muffled)

Man -(whispering)Here.

Woman - Hush, hush. Go on.

(woman speaking, unreadable)

(Child crying)

Woman - You are all right. Hush, hush. Put it in your mouth - hush and shift that hand.

(child crying)

Woman- Put it in your mouth and keep it in and you'll be all right.

Woman - Put it in, stop it.

Woman- If you don't--shh.

(child crying)

Woman - In your mouth. Hush, hush. Shut up or I'll forget myself and hit you one. Keep it in.

(Child whimpering)

Man - Put it in.

Woman-(Spoken quickly)Put it in.

Man - (speaks, but words unreadable except for the word 'hand')

(footsteps)

Man - Put it in. Keep it in. Stop it now. Stop it now.

Woman - I'm only doing this and you'll be all right.

Woman - Put it in your mouth. Put it in--in.

(further words spoken by the woman which are unreadable except for 'put it in')

Woman - Will you stop it, stop it.

(womans voice unreadable)

(Child whimpering)

Woman - Shut--

Man - Quick. Put it in now.

(Child whimpering)

(retching noise)

Man - Just put it in now, love. Put it in now.

(retching noise)

Child -(muffled)What's this in for?

Man - Put it in.

Child - Can I just tell you summat? I must tell you summat. Please, take your hands off me a minute, please, please-- Mummy--please.

Child- I can't tell you.

(Grunting)

Child -(in quick sequence)I can't tell you, I can't breathe. Oh.

Child - I can't--Dad-Will you take your hands off me?

(man whispering)

Man - No. Tell me.

Child - Please God.

Man - Tell me.

Child - I can't while you've got your hands on me.

(mumbling sound)

Man - Why don't you keep it in?

Child - Why? What are you going to do with me?

Man - I want some photographs, that's all.

Man - Put it in.

Child - Don't undress me, will you?

Woman - That's right, don't --

Child - It hurts me. I want to see Mummy, honest to God.

Man - Put it in.

Child - I'll swear on the Bible.

Man - Put it in, and hurry up now. The quicker you do this, the quicker you'll get home.

Child - I've got to go, because I'm going out with my Mamma. Leave me, please. Help me, will you?

Man - Put it in your mouth and you'll be all right.

Child - Will you let me go when this is out?

Man - Yes. the longer it takes you to do this, the longer it takes you to get home.

Child - What are you going to do with me first?

Man - I'm going to take some photographs. Put it in your mouth.

Child - What for?

Man - Put it in your mouth.(pause)Right in.

Child - I'm not going to do owt.

Man - Put it in. If you don't keep that hand down, I'll slit your neck.(pause)Put it in.

Child - Won't you let me go? Please.

Man - No, no. Put it in, stop talking.

Man - What's your name?

Child - Lesley.

Man - Lesley what?

Child - Ann.

Man - What's your second name?

Child - Westford. Westford.

Man - Westford?

Child - I have to get home before 8 o'clock. I got to get --(pause)Or I'll get killed if I don't. Honest to God.

Man - Yes.

(Quick footsteps of woman leaving room and going downstairs; then a click; then woman's footsteps coming upstairs; then eight longer strides)

Man - What is it?

Woman - I've left the light on.

Man - You 'ave?

Woman - So that --(remainder of sentence unreadable)

(Child starts crying)

Child - It hurts me neck.

Man - Hush, put it in your mouth and you'll be all right.

Woman - Now listen, shurrup crying.

Child -(crying)It hurts on me --

Woman - (interrupting)Hush! Shut up. Now, put it in. Pull that hand away and don't dally and just keep your mouth shut, please.

Woman - Wait a bit, I'll put this on again. D'you get me?

Child - (whining)No, I -- (remainder of sentence unreadable)

Woman - Sh. Hush. Put that in your mouth. And again, packed more solid.

(whispered sentences, unreadable)

Child - I want to go home. Honest to god. I'll(further speech muffled but uninterrupted)-- before eight o'clock.

Woman - No, it's all right.

Man - Eh!

(Music commences, country-style tune followed by 'Jolly St Nicholas', during which various non-vocal noises can be heard; then tune 'The Little Drummer Boy' during which a voice speaks -unreadable)

(Three loud cracks, systematic, even-timed)

(Music- 'The Little Drummer Boy' -- goes fainter)

(Footsteps)

(Sounds on tape cease)

Luka Magnotta

Myra Hindley Ian Brady Court Transcripts (1)

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Myra Hindley Ian Brady Court Transcripts (2024)

FAQs

Was Myra Hindley ever remorseful? ›

"Hindley" voiceover: "It's been said that I never showed remorse, but I did. I wrote my first letters to the families in 1978 I begged their forgiveness but quite understandably they never replied. Then the newspapers said my letter was sick.

Did they ever find John Kilbride? ›

:: 23 November 1963, John Kilbride, 12

She offered him a lift home, but the pair suggested a detour to the moors using the same excuse - to look for a lost glove. John was never seen again and his body was not found on the moor until October 1965. He had been sexually assaulted and strangled.

What were Ian Brady and Myra Hindley charged with? ›

On May 6, 1966, Brady was found guilty of the murders of Lesley Ann Downey, John Kilbride, and Edward Evans, while Hindley was found guilty of the murders of Lesley Ann Downey and Edward Evans, and also for harboring Brady, in the knowledge that he had killed John Kilbride.

Was Myra Hindley intelligent? ›

Myra in her primary years did not do so well and failed the 11-plus exam, though at Ryder Brow secondary modern school she was seen as intelligent and very able, though her attendance was poor, because her grandmother did not always insist on her being at school.

Who was worse Myra Hindley and Ian Brady? ›

Although it was Brady who initiated and carried out the murders, in many ways it was Hindley who was regarded as even more reprehensible, a role she herself both recognised and rejected.

How many bodies were found in Calder Road Field? ›

Richard Rennison, special agent, FBI Houston: This case is known as the Calder Road killings, or the Killing Fields. There were four victims found throughout the years.

What did the Moors murderers do to their victims? ›

After forcing them into their car, Brady would rape them (with the exception of their last victim, Edward Evans) and then kill them, either by strangling them with a piece of string (possibly a shoelace) or by slashing their throats. The bodies were then buried on the Saddleworth Moor.

How did Ian Brady get caught? ›

After seeing the dead body of. Young man wrapped in plastic and a bloody axe in the room the officers returned to the living room they arrested Brady on suspicion of murder. As Brady was getting dressed, he said, "Eddie and I had a row and the situation got out of hand.”

What did Hindley and Brady do to the children? ›

Synopsis. The serial killer couple, Ian Brady and Myra Hindley killed four children in the 1960s and later buried their bodies near Manchester. The four children were assaulted before they murdered them. The couple was convicted of murdering Lesley Ann Downey and Edward Evans and received life sentences.

How was Myra Hindley punished? ›

Myra Hindley was convicted in May 1966 and sentenced as required by the Murder (Abolition of Death Penalty) Act 1965 to life imprisonment. This was a mandatory life sentence. It is subject to a discretionary executive power vested in the Home Secretary at any time to direct her release on licence.

What happened to Edward Evans? ›

Edward was the last victim of the infamous 'Moors Murderers' Ian Brady and Myra Hindley. The pair were arrested whilst Edward's body was still in the house. The subsequent investigation, led to the discovery of other victims, who had been buried on Saddleworth Moors in Manchester England.

What happened to Myra Hindley's dog? ›

But the dog died under anaesthetic. Hindley wrote to Peggy Brady saying she was still waiting to learn how Puppet had died. “They were quick enough to kill him but are taking their time about giving me the report,” she wrote. “However, I can't dwell on this subject for very long.

Is there a film about Myra Hindley? ›

What happened to Pauline Reade? ›

She promised the teenager records in return. Instead Brady, 25, was waiting for them, and Pauline was raped and murdered. The monsters, now both dead, went on to kill John Kilbride, 12, Keith Bennett, 12, Lesley Ann Downey, 10, and Edward Evans,17.

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